Wonderwater—Roni Horn/Hélène Cixous

         
Every contemplated face becomes landscape

         —Hélène Cixous, Wonderwater, written in 2003

         
   But now an almost insoluble problem confronted him, and it was no use trying to decipher it in Elisabeth’s face, for her face itself constituted the problem. Lying back in her chair she was gazing at the autumn landscape, and her up-tilted face, thrown back almost at a right angle to the taut line of the throat, was like an irregular roof set upon the pillar of her neck. One could perhaps say just as well that it rested like a leaf on the calyx of the throat, or that it was a lid covering the throat, for it was really no longer a face, merely a continuation of the throat, an extension from the throat, with a far-off resemblance to the head of a serpent. Joachim followed the line of her throat; the chin jutted out like a hill, behind which lay the landscape of her face. Softly rounded the rim of the crater which was her mouth, dark the cavern of the nose, divided by a white pillar. Like a miniature beard sprouted the hedge of the eyebrows, and beyond the clearing of the forehead, cut by finely ploughed furrows, was the edge of the forest, Joachim was again forced to ask the question why a woman can be desirable, but nothing gave him an answer; it remained insoluble and perplexing. He shut his eyelids a little and peered through the slits at the landscape of that extended face. It blended at once with the real landscape, the woodland verge of the hair bordered the yellowing leaves of the forest, and the glass balls that decorated the rose-beds in the garden glittered with the same light as the jewel that in the shadow of the cheek—ah, was it still a cheek?—shone as an ear-ring. This was both startling and comforting, and when the eye combined these separate things into a unity so strange, past all disjoining, one was curiously reminded of something, transposed into some mode that lay beyond convention far back in childhood, and the unsolved riddle was like a sign that had emerged from the sea of memory.

         —Hermann Broch, The Sleepwalkers, written between 1928-1932

         

About sh

writer, PhD student in English and creative writing, payer of attention
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