rocket to nowhere

“you must choose between the things not worth mentioning and those even less so.” -samuel beckett

Archive for June, 2008

verbs in Andrew Bush’s “66 Drives”

Thanks, boingboing, for pointing me to Andrew Bush’s website.

Andrew Bush is an artist (mostly photography) who has taken many pictures of people while they are driving.

rolling along (and whistling audibly)

On his website, there are two sections where one can look at these images—both can be found in the “Vector Portrait” section. Once there, if you click on “99,” you will see 99 unlabeled portraits. If you click on “Enter,” however, you will be taken to a page called “66 Drives.” These portraits (most of them) are labeled. All of the labels adhere, for the most part, to the following convention:

Person verbing on X road in X location at X speed on X date at X time.

As I was looking through “66 Drives,” I was struck by the verbs in these labels. Mostly, I think, because the verbs are the only real variable within the labeling convention, the only place where Bush is allowed, within the constraint he’s set himself, to add description or commentary to his image. Here is a list of all the verbs from “66 Drives” in order (if you start with the top-left image and proceed using the right arrow)(I have included objects when the verb is transitive, as well as some prepositional phrases, adverbs, and infinitives where necessary):

venturing • caught in traffic while heading • traveling • taking her time • fleeing • driving • continuing • proceeding • heading • drifting • gliding • traveling • drifting • traveling • meandering • going • rolling along (and whistling audibly) • traveling • rolling • passing through going about her business • traveling • heading • going • racing • returning • driving, reading, clinging • cruising • [blank] • [blank] • being released, accelerating, heading • traveling • facing • moving • [blank] • heading • finding his way • driving • waiting to proceed • guiding her automobile • traveling • about to cross a bridge • traveling • heading • trying to look after son • heading • bopping • wheeling • driving • traveling • traveling • keeping it moving • pausing • driving • cruising • heading • [blank] • heading • ramping down • driving • traveling • [blank] • [blank] • [blank] • traveling • [bank]

As you can see, most of the verbs are in the present participle form. This form implies/imparts motion to an otherwise static photograph. The verbs also pretend to comment on what the person in the photo is doing, but because of the nature of the photograph (of strangers in cars, a place where we think of ourselves as alone), this commentary comes from the outside–in other words, every verb is a guess, a projection, a label.

A whole paper could be written about these photographs and their labels, about the differences between motion/change and stasis, and about the verb choices Bush made (or didn’t make). Perhaps someday I’ll write that paper. In the meantime, however, I will content myself with simply being really impressed with both the fantastic photography and the fact that it’s not very often a writer will provide such an obvious example of his linguistic choices.

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why not notes?

Taking a cue from Selah, who sent me some notes she took recently, I am going to use this space to post notes as well. Because why not?

These from the 18th annual Virginia Woolf conference, held this last weekend at DU:

    Queer Fragmented • fragment never finished • Orlando through German Romantic lense • Schlegel: Progressive Universalpoesie • ∞ fragments • alphabet as fragmentary (?) • monosyllables as fragments • fashion—fascia—fasces—fascism—etc. • publication as de-fragging? • human life and the volume (Jabès?)

    useful statements • as she speaks of words • Evelyn Haller quoted • class and the question of

    one who glosses or smooths over • amoricle • I prefer, where truth is important, to write fiction –Virginia Woolf • facts are a very inferior form of fiction –V. W. • implicit hybridity

    apparatus • pure vs. impure biography • where the eye is forced to dive • create unity out of the fragments of a life • biography as curation • landmark vs. mindmark

    intuition + form (careful) = androgyny • “Robed Indians Ahorse”

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I like taking pictures of grates

grate @ Asbury & Franklin

more here.

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what?

I think somewhere in there between the end of the quarter and this moment there might have been a couple of days when I was not officially alive.

I think I’m better now.

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